Apr 062025
 

Yesterday’s radio opera, “Ainadamar” (“fountain of tears”) by Osvaldo Golijov, is based on the lives of Federico Garcia Lorca amd Margarida Xirgu, who is sometimes referred to as his muse. It was performed in 2005 at Tanglewood and revisedin 2003, this in Los Angeles and revised again, before having its official premiere in Santa Fe in 2005. In 2005, I was working at USAA and had recently been promoted, which put me at the bottom of the vacation request list. So I was not able to see it then, and became resigned to not ever seeing or hearing it. So this broadcast was an unexpected gift. The plot is kind of muddy, taking place as it does – or at least as it does in flashback – in Spain in the tome leading up to the Spanish Civil War. That was a place and time where and when, an nearly as I can tell from a not very deep dive into the history, when there were multiple political parties in Spain, and, though they ran the gamut left to right, all apparently were authoritarian, and all were violent. And none were tolerant of homoeroticism. Not a good time or place to be a gay playwright with opinions. The opera pins his death on the Falangist party (one of the Fascist parties.) It also calls his death an execution. His body was never found. Since 2005, the opera has been performed all over the world to critical acclaim, but last October’s run was the first time at the Met. What we heard this week was a recording from then. It’s short – only a bit under an hour and a half total – and very listenable, even if it’s a bit tough to follow the action. Also, today, it’s Pat B’s wedding anniversary. Happy anniversary, Pat! And it’s Tim Walz’s birthday. He is 61 (just a kid.) Happy birthday, Gov!  Off to see Virgil now – will post my return in a comment as always.

Good news – Democrats will be Doing Something. Several Senators who are no strangers to fights are mentioned in the article from Axios.

The Day of Visibility was last Monday (I posted a logo for it), but it’s good to know that state legislators are going beyond that. Colorado, like the nation, has two legislative houses, and since I moved in 23 years ago, both my representatives have been Republicans. But not now. My assemblyperson is still Republican, but my State Senator is a Democrat. And there is a Democratic majority in the Assembly, even though mine is not part of it. So I’m looking to see this bill pass.

This may not be the happiest song, but the selected founders, and their presentations, are so good I wanted to share it. And at least it ends with hope.

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Mar 302025
 

Yesterday, The radio opera was Jake Heggie’s “Moby Dick.” I was a little deflated that two of the six main singers has been replaced, but it’s really more of an ensemble piece than a star turn, plus the other four were still there. Heggie and his librettist chose to call the narrator “Greenhorn” until the very end – but uses the same music for when he does sing “Call me Ishmael” at the end to open it. Twelve years ago (Wikipedia gives the date as 2013), I saw this opera on TV performed in San Francisco in, quite possibly, the same production, one which used a vertical cyc which could be climbed to suggest the depths of the sea. That’s probably not a technically correct description. but this photo from the Met’s web page surely looks like what I remember.

It was that production which is on the DVD – I think even the same performance. And very powerful both then and now. Also yesterday, I was finally able to confirm that today is in fact Eid al-fitr, and not tomorrow. It depends on the sighting of the moon which can’t be done in advance. I can’t reference any dates, as the entire Muslim calendar is so dependent on the sightings of the moon that Ramadan and Eid al-fitr can be literally at any time of the year. Also yesterday, Steve Schmidt called the Mango Monster’s administration “the Trump** Regime” and will refer to it by that term from here on out.

https://www.getty.edu/news/medieval-feminist-manuscript-getty-acquisition-christine-de-pizan/
I’d say it’s good news that the Getty Museum is putting this book from the 15th century by Christine de Pizan on display in Women’s History Month, which some of us still celebrate despite the barbarians in the palace. But maybe not so much for the obvious reason. Rather, because it’s good to be reminded of just how deep misogyny has always run, still runs, and will coninue to run unless we take the right steps to oppose it – if it’s even possible to make a dent. Yes, a few people will “just come around.” But the vast majority will never come around, although they may shut up for a while if pushed to the wall. But they will still vote. It’s barely 70 days into the Jsckfruit Jackass’s regime, and already Democrats are talking about nominating a strong woman in 2028. Apparently they still cannot see that this would be the surest way to seal and deliver permanent authoritarianism to the United States. I hate that that is true. But when did good ever come of refusing to see truth?

https://contrarian.substack.com/p/publishers-roundup-11
I’d call this very good news indeed from Norm Eisen, cofounder and publisher of The Contrarian, and a colleague. You might find the information elsewhere, but probably in bits and pieces – and it’s the roundup which makes it so inspiring, at least to me.

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Mar 232025
 

Yesterday, the radio opera was a double bill of Ravel’s “L’enfant et les sortilèges” (on the one hundredth anniversary, to the day, of its premier) and Poulanc’s “Les Mamelles de Tirésias.” The former “is the story of a rude child who is reprimanded by the objects in his room, which he has been destroying. After being scolded by his mother in the beginning of the opera, the child throws a tantrum, destroying the room around him and harming the animals nearby. He is then surprised to find that the unhappy objects in his room come to life.” (Wikikpedia) The latter is absurdist, in the literary sense, which was written and performed right after the first World War. It takes off on the idea of Tiresias having been “the only human ever to have experienced being a man and also being a woman” (without surgery – since Tiresias was a mythical character dating from about 1000 BCE). Its premise is to convince French people to be as fertile as possible in order to replenish the population losses of the Great War. It has a plot, but that plot is so absurd I’m not going there.  Off to see Virgil now – will check back in in a comment.

Yes, I’m having to go to sites like Good New Network to find anything calm enough for Sundays. And, while current, this story harks back to history – not just the obvious WWII history, but back to the Middle Ages. Take that, “Monument Men.”

Colorado Public Radio  often has good news, but I’m behind (surprise, surprise!) on reading their newsletters. I found this story from Grist by searching sites which specialize in finding good news – a particular site which additionally specializes in finding happy stories written by proven, experienced, real journalists. It’s about what locals are doing to speed recovery from the devastating wildfires in California so recently.

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Mar 162025
 

Yesterday, the radio opera was Beethoven’s “Fidelio.” You are welcome to skip the details, although I hope you’ll give it a chance – I am going into more detail than usual, because Beethoven was one of us. I don’t suppose he would be thought progressive today, but in his day he was as progressive as they came, and loud about it. Like pretty much all the progressives of the day, he was fooled for a while by Napoleon – they all thought “the enemy of my enemy is my friend” – until he wasn’t. But this opera is our opera – all about political corruption and the courage to oppose and expose it. Here’s the story: Leonora (Eleanor in English) Florestan is a young (or youngish) woman whose husband disappeared two years ago, shortly after attempting to expose the corruption of the “governor” of a political prison named Pizarro. She has tried and failed to learn anything about hos whereabouts. In desperation, she disguises herself as a young man and applies for a n apprentice warden job at the prison governed by Pizarro, under the alias “Fidelio.” She is a bright, intelligent, conscientious worker, and makes excellent impressions on the warden, Rocco, and also on his daughter, Marcellina, who is ready to throw over her previous suitor, Jaquino, to marry “him,” and Rocco supports Fidelio as a suitor. (This leads to a comic quartet.) Fidelio changes the subject by offering to help Rocco in his duties in the dungeon. Rocco’s response make her almost positive her husband is there. Everyone leaves but Rocco, and Pizarro arrives. Rocco tells him that his (Pizarro’s) boss, the minister (cabinet member) plans a surprise inspection the next day. Pizarro orders Rocco to murder and bury Florestan, who is a close friend of the minister. He also orders that a trumpet be sounded at the minister’s arrival. Rocco refuses to do the murder, but agrees to dig the grave. Pizarro will do the murder himself. Fidelio has come back close enough to overhear the plot, although not soon enough to be 100% sure it’s Florestan they are talking about With Marcellina’s help, she persuades Rocco to let the prisoners out into the garden for a while (her real motivation is in case she’s wrong and Florestan is not in the dungeon, she might see him among the other prisoners), and a touching chorus ensues. It’s on the short side, for fear Pizarro might hear them. Pizarro does hear and demands an explanation. Rocco says they were given a little outdoor time in honor of the King’s name day. Pizarro grants permission for Fidelio to marry Marcellina and also to help Rocco in the dungeons. The prisoners are locked up again as the act ends. Act II begins with a long aria (technically a “scena”) by Florestan – his trust in God, his love of Eleanor, a fantasy that she comes to save him, and then more or less hallucinates being free. Finally he collapses and falls asleep. Fidelio and Rocco enter and start digging the grave. Florestan wakes up, and she recognizes him (his voice, actually), but he doesn’t yet recognize her. He learns that the prison he is in is governed by Pizarro, and realizing he’s doomed, asks to send a message to his wife, but is turned down. He begs for water, and Fidelio is allowed to give him some, She then begs to be allowed to give him a crust of bread and is granted permission. Rocco gives the signal to Pizarro that the grave is ready and Fidelio is told to leave, but hides instead. Pizarro pulls out a knife to kill Florestan, but Leonora jumps between them, saying “First kill his wife!” revealing her true identity. She pulls out a gun, which stymies Pizarro, and just then the trumpet is heard. Pizarro and Rocco leave, Florestan says “Leonora! What have you done for me?” to which she replies, “Nothing, my Florestan, nothing.” Whereupon they have a love duet. The scene changes –
everyone is now out of the dungeon, the minister is there, and the whole plot comes out. Florestan is freed and Pizarro is imprisoned. All the other prisoners are also freed. The chorus sings about how lucky a man is who has a good wife, and all are happy, except Marcellina and of course Pizarro.

This is of course still up in the air (or I hope it is – I think we would have heard if had passed), but the 19th gives background not just on the measure but on co-sponsors Pettersen and Luna (and even though it would have been really hypocritical for her not to co-sponsor this after her own experience, I have to give her credit for co-sponsoring it.)

OK, I admit this is anything but good news. But Robert Reich‘s sharing of his memories is so sweet, and even downright funny in spots, that at least it’s not depressing

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Mar 092025
 

Yesterday, the radio opera was Puccini’s “La Boheme” – a very short and very tragic opera which was the first vinyl recorded opera I ever bought – and then within ten years bought again with a different cast afer the lead tenor in the second recording died – because he – Richard Tucker – was such a legend I was afraid if I didn’t buy it right away it would sell out. It’s short – without intermissions it’s under two hours – but it packs a punch. Also, as is only to be expected at my age, during the broadcast I learned of the death of someone else I cared about – bass Paul Plishka, who I mentioned in passing a while ago while talking about the Kennedy Center. At least he didn’t die young -he had a 51 year career, and left a legacy which includes a reputation for kindness to all but particularly to young (nervous) singers. Rest in peace, Paul. Next week I’ll gave more to say about the opera, which will have the theme of courageous opposition to political corruption (and political revenge.) Also yesterday I was (and still am) coping with changing my email address – and preparing to visit Virgil today. But I’ll manage to check in in a comment as always. Also, I put in a substitute for Belle today – Rocky Mountain Mike – to keep it upbeat. I hope he gives you a chuckle.

This from Colorado Public Radio is a bit on the old side, but since it’s still in the early stages I don’t think that matters. I kind of hope to be around to see the finished project. One thing, no one on this project would censor a military history photo of the “Enola Gay,” which the current administration is doing, for heaven’s sake.

This comes from Democratic Underground, and it’s not exactly news – in fact it’s from prehistory – but it is hard evidence (literally hard) that love transcends time. The farther I read into it, the more deeply I was touched. And you can see from the comments that that was a common response.

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Mar 072025
 

Yesterday, as if I needed another problem, Yahoo Mail decided to change its format to onw which is completely unacceptable. So, if you have me in your contacts, please change my email address to jvdix@tutamail.com. I’ll have to have the yahoo account open for a while because for at least some things I subscribe to the only way the change the address is subscribe under the new address and unsubscribe under the old one – and there doesn’t seem to be any simple way to transfer contacts. Because I work ahead you can expect new posts for a few days at least – and if I need to take some days off, I recommend checking at one of the following – Talking Points Memo, The Contrarian, or ProPublica. The first two are good at looking at and picking up a wide spectrum of news. The last is strong on doing its own investigations and digging up the dirt. Y’all mostly also have your own sources and may not need to come here, and that’s fine. I’m subbing a Randy Rainbow for Belle today to give myself an extra day’s time – I have started it just after the advertising – but his sponsor, Ground News appears to be another good general source, so there’s that.

Steve Schmidt has a daughter who is a career skiier. After JD Vance went skiing, she sent this rant to her dad, who published it Wednesday. (When I saw the title, I thought of “jerry” as being the World War II term for Nazis among English speaking allied countries. But it is a skiing term and apparently unrelated to the WWII usage.) I find a righteous rant cathartic – if you don’t, feel free to skip this one.

I didn’t watch the State of the Union address Tuesday. I have enough trouble watching speeches by people who are competent. I also figured if I was encouraging my Dem Senators to boycott it (which they didn’t), I was more than justified in doing so myself. I did, after the fact, hear about Al Green, though not in as much detail as here in The F* News, including the details of the consequences and/or lack thereof for comparable acts historically. I think it’s important to give him credit for the courage which so many of our elected representatives in both Houses seem to lack. Of course they have voted to censure him. Barf.

And speaking of attention – certainly any honest outlet (which Axios more or less is) which came upon this information is doing the right thing to release it immediately. But I can’t help but wonder how much of it will disappear in the fallout from the SotU and other distractions.

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Mar 022025
 

Yesterday, the radio opera was Bizet’s “Carmen.” I doubt I have to say anything about the plot, but this is a recording from 2010 wth Robertu Alagna and Elīna Garanča, which may have been a Live in HD presentation, and if it was, I saw it on television, back in the day when it was easy to get multiple channels without cable. You may laugh at what I remember … but one of the features in the production was that as Don Josê got farther and farther from respectability, they want to show that his hair had grown. (Wigs are nothing new at the Met – many people with perfectly good hair use them, and sometimes a production will require one or more as in this production.) By the time they got to act four it was a wig at or a little below the shoulder. Between the stage business and the lighting, it made Alagna look like Alan Rickman playing Snape. (If you have read the last book and/or seen the last two movies, you know that killing the woman he loved is NOT something Snape would ever have done, no matter how jealous he was.) I know the opera well – have even played second violin in a college orchestra in the seventies (not well I’m afraid, but I worked hard.) If I hadn’t I would have been so distracted I’d have completely lost the plot. I even found an email address for the lighting designer and asked whether that was in tended (it wasn’t. And it’s impossible to predict what people will actually see in a production.) If I’m right, and that’s the same one, it was enough to make me forget Barbara Frittoli and Teddy Tahu Rhodes (there is an actual website called “Barihunks,” and he is one). On another subject, I want to mention “Americans of Conscience.” This is a good site to have in your playbook, especially if you are fit and wanting to do something but don’t know what. Even I, who have issues these days with activity, can find something in their site – in their gratitude section, I can send thank you notes to people who have displayed courage and doing the right thing. I would look at their cookies and opt out of the non-necessary ones, but then I mostly do that anyway. They use WordPress, as do we, so they may already have anything they would collect. In Friday’s email they listed five people to thank and I thanked four of them – I could not bring myself to thank Susan Collins for voting the right way on a Trump** nominee. Had her vote prevailed, I might have, but it didn’t. One other thing – After finding the Ukrainian government’s GoFundMe-like site Friday, I subscribed to it, and yesterday I got the first email from it. They are not letting any grass grow under their feet. They are making 100 Tshirts with this quote from Zelenskyy’s – whatever it’s called when someone is attacked by a mob – Friday: “I’ll wear the costume when this war is over.” And anyone who donates from the email (or possibly just at the website for a limited time) will be entered into a drawing for one.

Wonkette‘s story here is I think mixed rather than totally good. But it does have enough smiles in it that I wanted to share it.

This, also from Wonkette, I consider very good. It’s a little less new, but I hope worth waiting for. I’m not crazy about the point of law on which they based the decision, which is that in order to vacate a conviction the defendant’s constitutional rights must have been violated in some way. And this is almost certainly not the time nor the Congress to ask to pass a law that a conviction may be vacated if there is proof of actual innocence even if there wasa just a good faith mistake. But maybe that’s something to look at.

This is from USA Today, and I would not have seen it had not Faithful America referred me to it. But I’d say it’s good news as far as it goes. It would be better news if there were anyone in this Justice Department who would enforce it (or allow it to be enforced.)

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Feb 232025
 

Yesterday, The radio opera was Verdi’s last opera, “Falstaff,” written when he was about my age. (His second-to-last opera had been “Otello.” He really loved Shakespeare, and in his late 70s he was rich and famous enough to indulge that love.) Falstaff is based on “The Merry Wives of Windsor,” which is said to have been written because Queen Elizabeth I wanted to see “Sir John in Love,” an impossibility given his character – even “Sir John in heat” would be almost impossible so she had to settle for “Sir John attempting to seduce faithful wives in order to extort them foe money to pay his bills.” The opera follows the play as closely as possible, given that singing takes longer than speaking. The plot, the duplicate love letter which give away hos game, the laundry basket thrown into the Thames, the young couple disapproved of by the girl’s father, the suspicious husband hiring Falstaff to seduce his wife to find out how virtuous she is, the fairies in the forest – it’s all there. This presentation was selected by the Met’s principal conductor because it was conducted by Leonard Bernstein (so you know it’s older than a minute – in fact it was presented and recorded in 1964 and was Bernstein’s Met debut.) The music and the cast were stellar – many names I remember loving in the sixties and some beyond. The male half of the young couple was sung by Mariano Caruso – absolutely zero relation to Enrico – I looked that up, as I’ve been burned too many times thinking unrelated people were related (in my defense, so have announcers.) My email wasn’t bad, so I got through it all and even managed to post a letter the same day I received it. Now I’m off to see Virgil. I will of course check in.

https://apnews.com/article/president-jimmy-carter-2025-grammy-awards-0b8a1c1fa8c8887b945a2b893b7e59e5
This is not all that new, but given that all of our eyes have been on our Democracy, I though some might have missed it. Jimmy Carter – WOW. Everything he did, he did with excellence.

https://www.rmpbs.org/blogs/education/metaphorse-montrose-horse-therapy
I’ve posted about horse therapy before – but this is a new twist, and one that I for one would never have expected. And one which is at least as important as any other method of self-defense.

Patrick Fitzgerald filling in for Belle – at least he’s amusing.

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