Dec 152024
 

Yesterday, the radio opera was “Grounded” by Jeanine Tesori, a new (2023) commission from the Met. I’ve linked to the Wikipedia page on it – I won’t even try to summarize it – but I would love to know what Tammy Duckworth would think of it, if she were to watch it or listen to it – though I would not be surprised if she didn’t want to. The music is very listenable, which should not surprise anyone, as it is from the composer of two Tony-winning Broadway musicals plus “Shrek the Musical,” as well as other operas. Alo, I suppose I should say something about the drone sightings over New Jersey, NYC, and Connecticut, but sine I don’t know any facts, I don’t have anything to say. I can say the Cory Booker is concerned and pressing for information. So now I’m off to see Virgil, and will check in when I return.

Straight from The Root, a piece of good news for a Sunday.

This is Part I of Robert Reich‘s analysis of how we need to develop our messaging (Part II follows below). He may be right – I’m a great believer in the power of story – but the proposition bothers me because, although to of the tories lead to care for others and to justice, two lead to hard hearts and injustice.

Robert Reich Part II. A couple of comments are shown in the free version, and one of them points out that some Democrats have no difficulty with properly identifying the “rot at the top.” The commenter cites Sanders and Warren, but my first thoughts upon reading the subtitle were for AOC, Katie Porter, and Jasmine Crockett.

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Dec 082024
 

Yesterday, the radio opera was Richard Strauss’s “Die Frau Ohne Schatten,” considered to be a “fairy tale” opera. It certainly is one that would likely warm the hearts of right wimgers, since the shadow of the title is a symbol of the ability to bear children. But, on the other side of the equation, it’s also all about choice. It’s long – four hours including intermission – but the music is powerful, and in its way so is the story.

Steve Schmidt goes through a lot of information before he gets to his title point, but that’s the point for which I am posting it.

Andy Borowitz gets serious with advice to survive Trump** II. Andy is the epitome of the jester of the past who through humor managed to be the wisest person in the room at any given time. I’ll take him seriously.

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Dec 012024
 

Yesterday, the radio opera was “Capriccio” by Richard Strauss. It addresses the age-old questin of whether the music or the words are more important in an opera. It does this theough the mechanism of featuring a poet and a composer both in love with the same woman expecting her to choose between them, In the end, she can’t. Some people think that Strauss hid the answer in the scoring of the final scene. But those people don’t always agree in which choice they think she made. So I don’t believe that. Operas have succeeded with strong music and weak libretti, and also the other way around. And some have failed in both of those categories. But a strong libretto with strong music is also no guarantee of success – and a weak libretto with weak music may be a hit for a while (though it’s unlikely to be remembered long. But good ones can be forgotten also.  Welp, I’m off to see Virgil. I will check in in a comment when I get home.

This is late for Thanksgiving, I grant. But Andy Borowitz‘s tips may give you a SUnday smile or at least a Sunday snicker. nd Christmas is coming. And there’s always next year. And, speaking of Andy, there’s a video here – it’s about 15 minutes and is very funny, though just at the very end you may want a tissue.

This also appears to be good news, although Republicans seem always to find ways to take the joy out of everything. The F* News is snarky, of course. But it appears to be baseline true.

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Nov 212024
 

Yesterday, the Riccardis took the song “Who shot the Sheriff” and turned it into “I thought the tariffs” and really covered just about every discouraging point. Well done. I also learned that a 2025 commemorative stamp for Betty White will be released sometime in 2025. She’s one of those people who are/were pretty much universally loved.  I also did a little online shopping – I need to get what I need from China before the inauguration while I can still afford to.

Robert Reich on DOGE. I can’t imagine Trump** has the foggiest notion of the other meaning of the acronym – a term from the Italian Renaissance for an absolute ruler. Most people think first of Venice, but other city states also had them, notably Genoa (Simon Boccanegra was one, though the Verdi opera based on him is not 100% historically accurate.) The word is a now obsolete variant of “Il Duce.” Hiding fascism in plain sight. I’d also point out that destroying “bureaucracy” is not an admirable or a desirable goal. As i learned in MBA school, “bureaucracy” was invented to replace partisan government service which had unfairness baked in with a non-partisan, merit based system which would be unbiased. No human institution is perfect, but I would far prefer and always recommend some form of bureaucracy over any other system for running a large country. You might still get screwed by a bureaucrat, but it wouldn’t be for any personal reason. With Trump** and apparently Elno, everything is personal because everything is transactional. (And that part of Verdi’s opera – the dude saying “you gotta reward me because I made you Doge” – and not getting his way and then poisoning Simon – is quite historically accurate, and appropriate to a Trump** administration.)

Robert Hubbell points out that the “red mirage” has not ended, and that the count is still changing – certainly through this week, and maybe longer. More counts will not change the results, because of the electoral college – but we have already seen Trump** fall below 50% of the popular vote, and we may yet see him slip below Kamala’s popular vote total. So much for the “landslide” that really never was anyway.

I don’t know what to do about this -I tried everything I could think of including re-downloading it from my original source, which by the way is here – https://www.democraticunderground.com/100219725786

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Nov 172024
 

Yesterday, the radio opera was Richard Wagner’s “The Flying Dutchman.” It’s short, especially for a Wagner opera- less than 2 1/2 hours, and, though one doesn’t usually hear them in concert, it has more extractable parts than most of his do, such as “The Ballad of the Flying Dutchman” and “The Spinning Song.” I’ve mentioned before how the salvation of men through the suffering (sometimes death) of women was a theme running though the 19th century, and Wagner is the most obvious proponent of that. “The Flying Dutchman”, along with “Tannhäuser”, are the two most straightforward statements of that theme (and if it sounds to you like something only white men would dream up, I won’t say you’re wrong.) But it is very listenable. If I could relive the time in my life when I was buying vinyl records, I would have skipped “Tristan und Isolde” and bought this one instead. Also yesterday, here where I live, sunrise was at 6:44 and sunset was at 4:46. I realizethose times differ wildly even within a single time zone – but I’ve been collecting these times for about three years now and this is the first time I have ever seen sunrise and sunset together make a palindrome. And one thing more – a couple more House races in California have been called for the Democrat. It may even be three of them. Well, off yo see Virgil now, and will check in in the comments when I get back.

Joyce Vance cut through the ingenuous doubletalk, euphemisms, and everything else that so many are using to try to make life appear “normal.” It isn’t normal. She brings it right down to the Constitution quite clearly.

Heather Cox Richardson attempts to answer the question which Joyce Vance’s title, above, asks. I am not holding my breath.

 

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Nov 052024
 

Yesterday, I learned that Kamala Harris had appeared on Saturday Night Live’s cold open along with Maya Rudolph. (Yeah, even with the extra hour, I didn’t get through Sunday’s emails on Sunday.) Mitch, sweetie that he is, had sent me a link to the NYTimes article on it, which I did archive, but frankly I don’t much care what the NYTimes has to say about anything any more. So here’s a link to the Cold Open on YouTube. Also yesterday I learned that Quincy Jones died Sunday – and I might not have learned that without subscribibg to The Root’s free enail newsletter, so much has the election sucked the life out of all other news (although in the evening I did hear about it on CPR Classical.)

Heather Cox Richarddson has just returned fro a thirteen month book tour, and is admittedly exhausted. But, while o tour, everywhere she went she was asked the same question – to wit, how she managed to maihtain hope in the face of – well, everything. this is her answer. I’m not adding a tissue alert – I needed one, but I think that’s at least in large part because I’m low on antidepressant just now – and I don’t see this history being taught in red states any time soon. But the history itself is filled with hope.

Joyce Vance’s “The Week Ahead” (also from Sunday evening) may not be as radiantly hopeful as Cox Rixhardson, but it is full if information which should not be missed. What we don’t know about, we cannot defend against. And it’s not all bad. There’s some good news also. (And did you know that chickens can purr? The previous day’s column even had a short video with sound which proves it. I am speechless.)

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Nov 032024
 

Well, it’s the time of year for the radio operas to be productions from Beijing. This year there are four of them; two are Italian , one is German, and one is a new commission from a Chinese composer (and librettist. Yesterday was the first, “La Sonnambula” by Bellini. This may be the only opera which has a farther-fetched plot than Verdi’s “La Forza del Destino,” but to make up for it, it at least has a happy ending. Europe in the early 19th century was fascinated by sleepwalking, and medicine was in the stage of starting to look fo causes of and treatments for phenomena which were just beginning to be understood as medical conditions. By 1831, the villagers, who at first have thought the “lady in white” to be a ghost, have learned enough about sleepwalking (actually from the local count, who has been traveling and learning stuff and has just returned home) to know they need to save her first (as she sleepwalks across the framework of the village’s water mill – or across local rooftops, depending on the staging – it could also be the edge of a steep cliff, I suppose) and wake her afterwards, or it would have been a tragedy. A line from her last aria about the flower (of her love) which she did not expect to have faded so soon (having been set up by a rival using her sleepwalking to convince her fiancé that she has been unfaithful) was inscribed on Bellini’s tomb in reference to his having died so young (at 34.) Anyway, the music is gorgeous, as is all of Bellini’s work – there’s a reason he was known as “The Swan of Catania.” This opera was one of many “Bel Canto” operas championed by Joan Sutherland and Richard Bonynge, and has not fallen out of the repertory since.  Also, I’d like to apologize for being late for Diwali (I didn’t get the email until it was already over.)  Now I’m off to visit Virgil, and will check in in the comments.

Well, the Reich on the left is most assuredly right this time. Not that we needed one, but this is certainly another reason to be voting for Harris-Walz. Lina Khan is doing her job, using but not exceeding her authority, and long may she continue!

This from Crooks and Liars is not as good as it could be – but at least it’s honest and as something to be played at a citizenship ceremony, it beats the holy crap outof “God Bless the USA.” (Not that that is difficult. We actually have had for decades something better than either – the second verse of “This is My Country.” You know, the first verse starts “This is my country, land of my birth,” and the second starts “This is my country, land of my choice.” Both end “This is my country, to have and to hold.”)

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Oct 272024
 

Yesterday, the radio opera was a new one, “The Shining,” by Paul Moravec, whose name is new to me. I never read the book nor saw the movie, but living in Colorado, and especially being married to the grandson of a former caretaker of the Stanley Hotel, on which the hotel in it was based, I did know something about the plot. This opera was based on the book alone, rejecting some concepts introduced by the movie. It was presented by the Lyric Opera of Kansas City. I didn’t previously know any of the singers. The opera has it’s own website at operatheshining dot com, and KC Lyric has some photos at their site from this production from March, 2023. One could tell is was a 21st century opera, not by any dissonance (of which there is very little in operas of today anyway), but by the structure. older operas have arias – standout songs, and the older the opra the more repetition in them – separated by sections of more speech-like music which moves the plot (the older the opera, the closer it gets to actual speech.) This opera was structured like a sung play and also included some straight speech. Danny’s part in particular was all spoken. Incidentally, an opera company whose name includes the word “Lyric” is messaging “please understand we are not the Met or La Scala.” But the production values looked pretty good to me, and the voices held up. (Chicago Lyric dropped the “Lyric” sometime in the last 10 years or so, and rightly so, and about time, too.) Also, if you’re still with me, I want to call some attention to the fact that MAGA spreading lies about groups is not limited to immigtants. They are now spreading lies about Benedictine nuns. The sisters are not amused.

This from Crooks and Liars is hardly breaking news. Probably we could also have guessed the names. But it’s good to see it in print in order to be prepared.

It’s Sunday, and we deserve a good news story. This one from the Atlanta Black Star is pretty darned good, and especially for Texas.

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