Jan 192025
 

Yesterday, Axios published the evaluation of the 10 US cities that “did the best” in 2024. Colorado Springs is on it at #5. We are in one of only two blue states on the list, and I believe the only red city in a blue state. Of course, in general, red areas have considerably more room to improve than blue ones. It doesn’t mean we’re one of the top ten places to live, speaking economically (though speaking scenically, we probably are.) Also, the radio opera was Puccini’s Tosca – a tragedy in the literary sense, but also politically. The eponymous heroine’s lover, whose life she tries and fails to save, his friend, and she herself are on the right side of the autocracy vs. democracy divide, and although she manages to kill one pre-fascist (who is a real piece of work – I can only think of a couple of others in opera who even come close to his pure evil), his flunkies only fail to catch ans torture her because she suicides first. Yes, I know, Napoleon was no liberator, but you can’t blame people of the time for thinking he was or might be. Even Beethoven thought that – until he didn’t. “Tosca” is a very tight story- everything moves the plot, even the one comic-relief character, so the more you know about it the more heart-wrenching every note is – and the harder it is to look away. (A side note – this is the opera which contains the aria over which Puccini won a copyright infringement lawsuit against the composer of the song “Avalon.” Of course I was not on the jury – I wasn’t born yet -but had I been, and just knowing the two pieces, I would have been inclined to vote the other way. Only one phrase that’s in the opera is in the pop song, it’s not used “verbatim”, and it is developed very differently.)

I expect everyone here knows this by now, since it came out on Friday. But Sundays are for good news – and right now it just doesn’t get any “gooder” than this. The Contrarian was where I first saw it.

This also came out Friday and started me wondering what else on our wish list would be announced today. Whatever would have been, I would have added. We need all the good news we can get just now.

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Jan 122025
 

Yesterday, the radio opera was “Rigoletto” by Giuseppe Verdi. It was the second opera I ever owned on vinyl. It’s also the opera from which a scene got me my A grade in conducting class. It’s notoriously dark, it had trouble with censorship (which was routine when everywhere was governed by an absolute monarch, and they were all terrified of looking bad, even just by proxy, so to speak), and the music is exquisite (and in places heartbreaking.) Noteworthy was the tenor, who is the very first opera singer born in Samoa, in his Met debut. Hearing him, I suspect his delay in singing at the Met may have been due to his being so in demand elsewhere that they just couldn’t get him. But all the principals were impressive. It’s an opera which draws tears, and then they piled on by picking this week for the annual review of people we lost last year. Somehow I missed the deaths of Seiji Ozawa and Lucine Amara (among others.) But it’s Sunday, so I’ll stop here and share an Andy Borowitz take on more current events. And, if anyone is interested, Robert Hubbell has transcribed Judge Merchan’s complete remarks from the sentencing Friday. Not that the Canteloupe Caligula will hear, understand, or care. But he was pretty clear in distinguishing between the public office and the person who holds it.

well, this is something new. I know we have at least a few readers who ar into astronomy, and that light pollution is a problem for anyone who wants to watch the stars, planets, galaxies, etc. I would also warn anyone over 50 that the San Luis Valley is mostly more than 7500 feet above sea level, and if you have any heart or respiratory issues, you should consult your medical team before planning a trip (and it isn’t open yet anyway.) Living at 6500 feet as I do, it would almost certainly not bother me. But it isn’t, sadly, possible to make lenses which would allow me to aee what everyone else sees when they look at the sky, so it would be wasted on me. Still, I’m all for it. And Mosca is a good location. Roughly 15 miles north of Alamosa – a college (excuse me, now a university) town – close enough to get to easily and far enough to provide a good dark sky.  And now I’m off to see Virgil, and will check in when I get home.

It’s telling that the only good news I noticed this week was from Colorado Public Radio (at least this week, CPR is cpr for the soul). And I’m well aware that people close to my age (and many of us are), old enough to remember “One Flew Over the Cuckoo’s Nest, are going to be very skeptical. I was. But this treatment appears to be working very well for this young man, and the smile on his face in the accompanying photo is evidential. Especially compared to the second photo. I wish him and his family the best.

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Jan 052025
 

Yesterday, the radio opera was “Les Contes d’Hoffman” (the tales of Hoffman) by Jacques Offenbach, who is best known for having composed the “Cancan.” The Tales of Hoffman was his only serious opera, and it is not without comedy. The most obvious is, I think, the “Doll Song,” in which the soprano plays a mechanical, life sized doll with whom Hoffman has fallen in love. During this aria, the soprano “runs down” twice and the toymaker has to run up behind her and “wind her up.” Literally. Back in the day, I was driving on the Washington DC beltway, and this aria came on the radio, sung by Joan Sutherland. Even without the sight gags, she made it so funny that I had to pull off – I was so distracted with laughter – until it was over. The doll is one of three women with whom Hoffman falls in love and loses – this one because she isn’t real, the second because she dies, and the third because she has stolen his soul – well, that’s pretty un-comic. There is also an “evil genius” who in some way comes between Hoffman and all of the women he falls for. It is filled with catchy tunes, a specialty of Offenbach. If you have ever heard his “barcarolle,” which is a real earworm, this is the opera from which it comes. Also yesterday, I received several emails about Ann Telnaes leaving the Washington Post. I’ll link to Andy Borowitz on this, although Heather Cox Richardson also covered the story. We can hope hat she finds a position worthy of her talent and integrity.

In keeping with my intent to reserve the Sunday Open Thread for good news, here is a story from Colorado Public Radio, about a remarkable man, and the tribute to him which is now being paid.

This from Axios is at best halfway good news. I was hoping something better would come along, but sadly, if it has, I haven’t seen it (and I have been looking.)

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Dec 292024
 

Yesterday, the radio opera was “Hansel and Gretel” by (the original) Englebert Humperdinck. It was a performance from 1982 (Christmas Day, actually) which featured Judith Blegen as Gretel. I mention her because she is an unusual talent – she could as easily had a career as a violin virtuoso as she had as a operatic soprano, and I know that because I took lessons from one of her former violin teachers. You won’t find his name in Wikipedia, because only some of her teachers of voice and violin are named there. Gian Carlo Menotti denied that he had written his opera “Help, Help, the Globolinks” with her in mind – but he certainly had no difficulty with her playing Emily in the American debut, which requires the lead soprano to also play the violin. Hansel was played by Frederica von Stade, whom I mention because of her sense of humor. One of her voice coaches was a cat person, and at their first lesson, the coach’s cat threw up on her shoe. All she said was, “I hope it wasn’t my singing.” That’s not to belittle the rest of the cast, who were also excellent – just personal memories of mine.  Off to see Virgil now – will check in when I get home.

From Wonkette, a piece of good news that everyone else appears to have missed. I thought it belonged on Sunday. I doubt we’ll get many more for some years.

And one more piece of good news, also from Wonkette. No spoiler.

Okay, this, from Steve Schmidt is now VERY late (yet still far more recent than the history it discusses.) Steve Schmidt may not know as much history as Heather Cox Richardson does. But he does have a flair for knowing about moments of history which invoke strong feelings – and for telling them so that you almost feel you are there. The Christmas he tells of here was also in a dark night for America. That we came through it may give us some hope. But you may still need a hanky.

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Dec 272024
 

Yesterday, Colorado Public Radio newsletter sent this. A little late. I knew this existed, and the origin story, but there’s more detail in the article. Fortunately there are still enough people who have the Christmas Spirit to keep it going. And enough kids to enjoy it.

I find it difficult to believe that anyone at The F* News would believe in any kind of miracle – and this isn’t one IMO – the 46% he and The Conference Board refer to are all people who voted for Kamala, or would have had they voted. But it’s an eye-catching header. We can hope that it gets widely read and quoted.

Harry Litman of Talking Feds calls this a “change of pace” post, which is certainly an understatement. But I have no problem taking time to recognize that these people to whom we go for expertise and wisdom are also human, and have human likes and dislikes. And he also has a list of podcasts he has made and will be continuing to make, which “dive deep into seven critical areas where Trump will be looking to attack government as we know it.” Four have already aired, but are still available (and I assume transcripts are also. At least I hope so.) The next one, coming up Monday – well, I’m thrilled that he considers my state’s attorney general to be “pure gold.” I certainly do, but what do I know.

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Dec 222024
 

Yesterday, I awoke to find that we have a continuing resolution. I can’t be certain that the F News coverage is the pest on the details, but it’s pretty darned good (should I have said pretty effing good?) so here’s the link. This doesn’t mean I won’t have articles or videos on the potential shutdown for the next couple of days – because there were a few which I thought had continuing value. Meanwhile, the radio opera was Mozart’s “The Magic Flute,” in an abridged form and in English (in the spring they’ll broadcast the full one in German and will call it “Die Zauberflöte“). It’s a lot of fun – for adults also – especially in this Julie Taymor production with wretchedly excessive costumes and puppets. It’s designed to appeal to kids, but adults can enjoy is just as well – maybe even better. This opera is famos outside the opera world for the Queen of the Night’s aria (in German, “Die holle Rache,” and known by pro musicians as “The holy racket,” which is not unfitting.) But there are many wonderful tunes in it besides that one. Here’s a whole page of pictures which may give you an idea of the spectacle.

Andy Borowitz has what he calls a “starter kit” to boycott. I’m way ahead of him on all four, and I don’t feel even a smidgen deprived.

This from Wonkette qualifies, I believe, as good news. I will note that the author, “Doktor Zoom,” recently leased an EV and he loves it and, in his own words, “won’t stop talking about it.” So he’s admittedly not unbiased. But pretty much everyone at Wonkette is biased in one way or another, but they all appear to retain the ability to distinguish fact from fiction, even from theory.

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Dec 152024
 

Yesterday, the radio opera was “Grounded” by Jeanine Tesori, a new (2023) commission from the Met. I’ve linked to the Wikipedia page on it – I won’t even try to summarize it – but I would love to know what Tammy Duckworth would think of it, if she were to watch it or listen to it – though I would not be surprised if she didn’t want to. The music is very listenable, which should not surprise anyone, as it is from the composer of two Tony-winning Broadway musicals plus “Shrek the Musical,” as well as other operas. Alo, I suppose I should say something about the drone sightings over New Jersey, NYC, and Connecticut, but sine I don’t know any facts, I don’t have anything to say. I can say the Cory Booker is concerned and pressing for information. So now I’m off to see Virgil, and will check in when I return.

Straight from The Root, a piece of good news for a Sunday.

This is Part I of Robert Reich‘s analysis of how we need to develop our messaging (Part II follows below). He may be right – I’m a great believer in the power of story – but the proposition bothers me because, although to of the tories lead to care for others and to justice, two lead to hard hearts and injustice.

Robert Reich Part II. A couple of comments are shown in the free version, and one of them points out that some Democrats have no difficulty with properly identifying the “rot at the top.” The commenter cites Sanders and Warren, but my first thoughts upon reading the subtitle were for AOC, Katie Porter, and Jasmine Crockett.

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Dec 082024
 

Yesterday, the radio opera was Richard Strauss’s “Die Frau Ohne Schatten,” considered to be a “fairy tale” opera. It certainly is one that would likely warm the hearts of right wimgers, since the shadow of the title is a symbol of the ability to bear children. But, on the other side of the equation, it’s also all about choice. It’s long – four hours including intermission – but the music is powerful, and in its way so is the story.

Steve Schmidt goes through a lot of information before he gets to his title point, but that’s the point for which I am posting it.

Andy Borowitz gets serious with advice to survive Trump** II. Andy is the epitome of the jester of the past who through humor managed to be the wisest person in the room at any given time. I’ll take him seriously.

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