Yesterday, my ballot for the Presidential primary arrived. The election is March 5th. I’ve been avoiding going out the front door since my hospital stay, and even more so, avoiding the porch steps (the last time I ventured on them wasthe day I came home, and that was one way only.) But with that much time, and Trinette coming Sunday, I’m sure I can wait tll then. I know for whom I am voting, and it’s only one block to fill in, and if she takes it out the same day it comes in, it should get there in time easily.
This is a crash course in foreign affairs. If that makes it sound difficult – it isn’t. And it explains a lot about how we got to this point. And it’s available for free to anyne, so you can share (you might want to mention scrolling a little for “continue reading.”)
Yesterday, I got to thinking about “The City at the Edge of Forever – Episode 29 of Season I of the original Star Trek, it first aired in the spring of 1967. It made a deep impression on me. Just the thought of having to make a decision like that gave (and still gives) me the heebie-jeebies. But there is also trmendous relief associated with realizing one does not personally required to make that decision. Except that we are. Any election (not just Presidential) in which there is a spoiler candidate requires every eligible voter to make exactly that decision, and do it without the benefit of an omniscient entity who can show us exactly what the future will be on both sides of that decision. I can still hear in my mind the dialogue (Kirk) “But she was right!” (Spock) “Yes, she was. But she was right at the wrong time.” ooking back 57 years, I probably don’t have the exact words. But the meaning is exact. If you want to view it, it can be streamed free (but with ads) here, [You may need to turn on the sound and tell it to restart] or paid at Paramount Plus (you mught be able to get it on free trial) or Apple TV if you use either of those. If you just want to refresh your memory of the plot, Wikipedia is the place – and thrown in you get production history, information on all kinds of production disagreements, history of the music used, and a whole lot more, if you want it. And yes, I deliberately put together this and today’s cartoon.
Not only did the GOP (in the House) kill the National Security bill this week, but the GOP (all of them, even non-elected ones) are working overtime to make sure that security spending stays higher than is manageable. They yell at us for “Tax and spend,” but to me spending money you don’t have, and don’t have any idea how to get, is far more irresponsible.
At least something good happened (besides the Appeals Court verdict)- “The Post-Conviction Justice Unit of the Manhattan District Attorney’s Office moved to exonerate the two men after an investigation with defense counsel found the teenage witnesses who testified at trial had been treated as suspects.” No, they haven’t been locked up since 1987, thank God- they were released, one in 2007 and one in 2011, but that’s still way to long, and until now, they didn’t have a citizen’s full rights. And they’re far more gracious about it than I would be.
Yesterday was another quiet day, which is fine with me.
Harry T. Burleigh, born in 1866, was a black man with a desire to become a classical composer. With the encouragement and assistance from Frances McDowell, the mother of Edward McDowell (“To a Wild Rose” and much more), he was admitted to the New York Conservatory of Musicon work study as a janitor. While he swept the halls, he would sing Spirituals, and was heard by Antonín Dvořák (New World Symphony), who was enchanted, and requested Burleigh to sing for him as much as possible. (Contrary to myth, Dvořák did not use any actual spirituals in The New World Symphony, though he was good enough at working in the style to make people think he did, and a later Black American wrote words to the most recognizable theme therein and called it “Going Home.”) Burleigh graduated and had a career as a composer, writing both instrumental and vocal music. In particular he composed songs to poems by “Laurence Hope” (a pseudonym for a woman, – and not only was it next to impossible for a woman to get published then in her own right, but a lot of those poems were pretty hot stuff for the day) including a set called “5 Songs of Laurence Hope.” Jim Ginsburg, the son of Marty and Ruth (Bader) Ginsburg, and the founder of Cedille Records, is featuring a record of music by Black composers, called “Dreams of a New Day,” sung by Will Liverman (the baritone protagonist of choice of today’s Black opera composers) which includes Burleigh’s “5 Songs of Laurence Hope,” and the first of them is available on Spotify at this link. Call me a name-dropper, but I think those are some names worth dropping even when it’s not Black History Month.
This column is a rant, and an exceedingly righteous one at that, IMO. I could wish I’d said it first … but it’s better this way, since he has the larger following. Basically, he compares and contrasts encouraging news with the discouraging words in which the media presents it. Certainly we should never take winning for granted. But the media seems to want us to take losing for granted, and that is a bridge too far for us to be going over. I did get some encouragement myself from Hubbell’s counterarguments, and hope you also will.
Yesterday, the radio opera was “X: The Life and Times of Malcolm X” by Anthony Davis. Most of us probably remember Malcolm X, if not in great detail. The important parts of his life were not published at the tiem, and after his death mostly in books, which fewer people read than read newspapers or the equivalent. At that time there were some real journalists, and I can’t help wondering what they would have come up with for public consumption at the time if only black people had been considered to have any importance. I don’t expect we’ll ever know. There was, as Lona predicted, a choke-up moment – according to the opera Malcolm’s last words were “As-Salamu Alaikum” – peace be upon you – and then the gunfire. Those who were closest to him at the time don’t agree, but the variants they remember, although in English, are actually pretty close. Musically – well, I’ve said for years the man can write music, and I stand by that. I was reminded a little of Lin Manuel Miranda discussing how he determined in what style to write all the Hamilton characters’ music – partly by their ages. “X” covers several decades, and Davis nods to that specifically in the jazz styles. In a different way, it struck me that three operas I have heard which were writtin by black composers about black people have all included a boy soprano to play the protagonist as a child. I don’t recall any other opera depicting that, and I have to wonder why not.
Also yesterday, I saw Heather Cox Richardson’s “Letter from an American” from Friday, since it came, as always, late in the day. I got a feeling of deja vu, and quickly realized it was because it was the same information Beau provided in the video in February 3’s Open Thread – except that Heather’s letter was in National-Security-speak whereas Beau’s was in Beau-speak. Still, it was cool to revisit the same story in different words.
I subscribe to newsletters from both the Atlanta Black Star and The Root – not just for Black History Month, but all the time, because it helps keep me on track with the perspective. For some reason, every time I attempt to load a full article at The Root, the screen goes white after a short time (I know, I know, past time for an upgrade. But it will have to wait until I am ready.) It’s long enough for me to get inough detail to search for the story elsewhere, and this time it was long enough to tell me that MSN had reprinted the story – for which I was most grateful. It helps to clarify the difference between money and votes. Yes, they go together, sort of – but they are not each other, and the one is not necessarily a predictor of the other. And the one will not win elections. But the other one will. Jaime Harrison is a rising star in the Democratic Party, and I believe his opinions are worth a listen. And I deeply believe we need to show more love than we are currently showing to black Democrats. Especially now, going into an election which we cannot win without them.
Yesterday,it was pretty quiet again, though there was a grocery delivery. I may be getting the hang of how to ask for help getting them in the house, or I may just have been lucky in who was assigned, but either way, it went smoothly.
VoteVets is up in arms, almost literally (quite literally if you can count words and images as weapons of war.) Yes, the link I’m providing is to a donation page, but at least at this page you can watch it without YouTube ads popping up. If you’re not aware of the kerfuffle from MAGA after they released their previous ad, this one may make you furious.
I don’t know how well I’ll be able to keep up with black history this month, but I don’t think I could have passed this up in any month. It’s good, very good, to see the “backbone of the party” receiving some the recognition which it so richly deserves.
Yesterday – well, actually all this week I have been sleeping later than usual. I’m pretty cool with that, except that I don’t want to do it Saturday – the radio opera will be Anthony Davis’s X: The Life and Times of Malcolm X. It premiered in 1986… so it’s about time it came to the Met. Two of his four other operas have been “The Central Park Five,” for which he won a Pulitzer (but which I have not heard) and “Amistad,” which I have heard, on the radio, from Chicago Lyric Opera, and which choked me up. That must be almost 20 years ago – or more – , since I attempted to capture it on cassette tape, and only partially succeeded. Do I need to say that this Anthony Davis does not play pro basketball? So if you wasnt to learn more, be sure to Google (or Duck Duck Go) “Anthony Davis composer.”
Robert Reich has posted an article which is, or ought to be, pretty scary. How do you even prepare for something like that?And we know there are a lot of people who would gladly go along with it. We need our best legal minds to start getting on it right now (yesterday would be even better.)
Joyce Vance explains the border “crisis” as well as possible. But it’s hard to explain why states like Idaho, Montana, North Dakota, and Ohio are so worried. We don’t actually have a problem with illegals from Canada – do we? (By the way the answer to that first question is “No.” If you secede, you lose your citizenship. It’s not like someone who moves to another country but retains US citizenship.
Yesterday, I got up somewhat earlier than I had been doing… which means I also got sleep earlier than I had been doing. But I did accomplish this. And we shall see whether this attempt to change the shape of my day works or not (i expect it will through opera day, and not much if any after.)
OK, this isn’t really news – it’s a recap and overview of the House Dems campaign to make the House Oversight Committee look like a multiple of The Three stooges. Not that that’s difficult, but I don’t know that we have ever seen such a coordinated effort from elected Dems before – and guess who is masterminding it. Three cheers!
Now this really is news, and about GD time too. My link is to Democratic Underground, but this DUer got it from Reuters, so in case you want more detail, that’s where to go.
Yesterday, sadly, so much of the news was about the New Hampshire primary – which means it mostly wasn’t news at all but opinions. I was going to say “uninformed opinions,” but all these people have plenty of information and apparently no idea what to do with it. So I’ll pass.
Ordinarily I don’t write about entertainment (except for opera, and that’s purely personal) but I think it’s good news for the nation that Jon Stewart is returning the The Daily Show – only on Mondays as a host, but full time as an executive producer.
