Yesterday, the radio opera was “Les Contes d’Hoffman” (the tales of Hoffman) by Jacques Offenbach, who is best known for having composed the “Cancan.” The Tales of Hoffman was his only serious opera, and it is not without comedy. The most obvious is, I think, the “Doll Song,” in which the soprano plays a mechanical, life sized doll with whom Hoffman has fallen in love. During this aria, the soprano “runs down” twice and the toymaker has to run up behind her and “wind her up.” Literally. Back in the day, I was driving on the Washington DC beltway, and this aria came on the radio, sung by Joan Sutherland. Even without the sight gags, she made it so funny that I had to pull off – I was so distracted with laughter – until it was over. The doll is one of three women with whom Hoffman falls in love and loses – this one because she isn’t real, the second because she dies, and the third because she has stolen his soul – well, that’s pretty un-comic. There is also an “evil genius” who in some way comes between Hoffman and all of the women he falls for. It is filled with catchy tunes, a specialty of Offenbach. If you have ever heard his “barcarolle,” which is a real earworm, this is the opera from which it comes. Also yesterday, I received several emails about Ann Telnaes leaving the Washington Post. I’ll link to Andy Borowitz on this, although Heather Cox Richardson also covered the story. We can hope hat she finds a position worthy of her talent and integrity.
In keeping with my intent to reserve the Sunday Open Thread for good news, here is a story from Colorado Public Radio, about a remarkable man, and the tribute to him which is now being paid.
This from Axios is at best halfway good news. I was hoping something better would come along, but sadly, if it has, I haven’t seen it (and I have been looking.)
